The Sphere — promo

Some serious engineering behind the Sphere. Never doubt that a small group of thoughtful, committed people can change the world.

Poster frame from Grand Theatre session.

The blue outline marks −9 dB (≈50% power) vs. the sweet spot. At walls & floor it’s roughly −20 dB (≈80%). That’s why you get the world’s fastest flat bass without heavy acoustic treatment — and without disturbing neighbors. Fix the low-end in mid-air, not on the walls.

The best bass performance under 200 Hz — the most problematic region in studios — made room-agnostic.

Benefits:

• Full-range sound even at extremely low volume.
• True reflection-free zone at the listener.
• No standing waves: bass is captured outside the sweet spot.
• 20–200 Hz doesn’t hit the walls ⇒ no modal build-up.
• Above 200 Hz, treatment is straightforward.
• No “box-in-box” needed; low end won’t reach your walls.
• Once-in-a-lifetime build: acrylic stone (~350 kg) + solid wenge.

Any sufficiently advanced tech is indistinguishable from magic — and music is the strongest form of magic. Architectural & electro-acoustic designer Mischa Jacobi created this all-in-one desk for music producers.